Product Overview

The Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply.

Oceans 12’s Reverbs:

ROOM – 2 modes: reverb algorithms modeled after a lively room and a spacious performance hall
SPRING –2 modes: vintage 1962 Fender 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
PLATE – 2 modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
REVERSE – 2 modes: a reverse reverb effect as well as true reversed echoes
ECHO – 3 modes: a digital delay with various echo rhythms feeding into a plate reverb
TREM – 3 modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
MOD – 3 modes: combinations of chorus and flange reverbs that create rich reverb tails
DYNA – 3 dynamic, experimental reverb algorithms: swell, gate and duck
AUTO-INF – 3 modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and cross fades to a new reverb wash upon detection of new notes
SHIMMER – 2 modes: two configurations of a rich octave-shifted reverb wash
POLYPHONIC – 2 modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
RESONANT – 2 modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail